Shakespeares Macbeth - Macbeths Guilt :: GCSE English Literature Coursework

Macbeths Guilt Characters in the Shakespearean tragedy Macbeth scarcely savour guilt trip - with two exceptions Macbeth and chick Macbeth. In this essay lets consider their guilt-problem. In his book, On the Design of Shakespearean Tragedy, H. S. Wilson comments regarding the guilt of the protagonist It is a subtler amour which constitutes the chief fascination that the play exercises upon us - this idolise Macbeth feels, a fear non fully defined, for him or for us, a horrible anxiety that is a sense of guilt without becoming (recognizably, at least) a sense of sin. It is not a sense of sin because he refuses to recognize such a category and, in his stubbornness, his mortify defiance, it drives him on to more and more terrible acts. (74) Blanche Coles states in Shakespeares Four Giants that, regarding guilt in the play Briefly stated, and with elaborations to follow, Macbeth is the tommyrot of a kindly, upright man who was incited and goaded, by the woman he profoundl y loved, into committing a murder and then, because of his sensitive nature, was unable to bear the heavy charge of guilt that descended upon him as a result of that murder. (37) In Memoranda Remarks on the Character of Lady Macbeth, Sarah Siddons mentions the guilt and ambition of Lady Macbeth and their effect Re I have given suck (1.7.54ff.) Even here, horrific as she is, she shews herself do by ambition, but not by nature, a perfectly savage creature. The very use of such a tender allusion in the center of her dreadful language, persuades one unequivocally that she has really felt the maternal yearnings of a mother towards her babe, and that she considered this action the most enormous that ever required the fortissimo of human jumpiness for its perpetration. Her language to Macbeth is the most potently eloquent that guilt could use. (56) Clark and Wright in their Introduction to The Complete Works of William Shakespeare explain how guilt impacts Lady Macbeth Lady Macbeth is of a finer and more delicate nature. Having fixed her warmheartedness upon the end - the attainment for her husband of Duncans crown - she accepts the inevitable means she nerves herself for the terrible nights work by artificial stimulants yet she cannot strike the dormancy king who resembles her father. Having su dirty worded her weaker husband, her own strength gives way and in sleep, when her exit cannot control her thoughts, she is piteously afflicted by the memory of one stain of blood upon her little hand.